[ic]
[In the interest of time and mystery, Vincent and Naoto have met at the overgrown flowers an hour after sunset as promised in a not at all suspicious manner. Luckily, or not, Vincent has found a few becoming flowers for his lady of the evening, and without further ado, they are off to a wonderful evening soiree . . .
The entrance hall is tasteful and elegant with carved wood panels, marble-topped tables, vases with white orchids spilling over. There are four doors in each direction. The door to the right is an open double door with music spilling softly out from it.]
The entrance hall is tasteful and elegant with carved wood panels, marble-topped tables, vases with white orchids spilling over. There are four doors in each direction. The door to the right is an open double door with music spilling softly out from it.]
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... and just how is the relationship between Grace-san and her father?
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I wonder if he hasn't regretted allowing Pleasant to save face at the cost of his business, though.
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I'm missing something. There has to be something else I haven't yet--
[pauses, and goes over to examine the light at the end of the attic]
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Oh, that didn't end well at all.
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I suppose I should have expected something like that to occur.
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If Owen-san and Chastity-san haven't left the parlor, then the culprit must be Pleasant-san--that is, if this was not a suicide, which I highly doubt; or if Owen-san and Chastity-san don't corroborate each others' stories.
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Mm, but would you like a last piece of information?
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... this was a logic puzzle, not a mystery.
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But there is one element to this case that is unquestionable.
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